Myth and the authorial persona in Ovid's Tristia and Epistulae ex Ponto
The Tristia and Epistulae ex Ponto are crucial for understanding Ovidâs use of myth, as he repeatedly uses mythological exempla to illustrate his own condition in exile and to characterise the authorial mask which he adopts in the exilic epistles. My doctorate approaches the author-persona relationship by investigating how Ovid utilises mythological references to construct his persona in literary terms, a methodology that rejects any attempt to reveal the âman behind the maskâ and instead focuses on appreciating the complexity of the authorial exilic persona in its own right. By focusing on the mask of the author, this thesis looks in-depth at how the authorial persona is constructed by references to myth and literature, and how this often relates back to other Ovidian personae. My work focuses on the most common myths found in the exile works featuring the gods, epic protagonists, other heroes, the Underworld, and famous wives. The mythical exempla found in the Tristia and Epistulae ex Ponto are commonly equated with the authorâs depiction of himself, or paralleled with the portrayals of his wife, friends, and enemies. As these mythical exempla are deployed, Ovid often makes allusions to other texts
Knifton, Lauren
Myth and the authorial persona in Ovid's Tristia and Epistulae ex Ponto. The Tristia and Epistulae ex Ponto are crucial for understanding Ovidâs use of myth, as he repeatedly uses mythological exempla to illustrate his own condition in exile and to characterise the authorial mask which he adopts in the exilic epistles. My doctorate approaches the author-persona relationship by investigating how Ovid utilises mythological references to construct his persona in literary terms, a methodology that rejects any attempt to reveal the âman behind the maskâ and instead focuses on appreciating the complexity of the authorial exilic persona in its own right. By focusing on the mask of the author, this thesis looks in-depth at how the authorial persona is constructed by references to myth and literature, and how this often relates back to other Ovidian personae. My work focuses on the most common myths found in the exile works featuring the gods, epic protagonists, other heroes, the Underworld, and famous wives. The mythical exempla found in the Tristia and Epistulae ex Ponto are commonly equated with the authorâs depiction of himself, or paralleled with the portrayals of his wife, friends, and enemies. As these mythical exempla are deployed, Ovid often makes allusions to other texts
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