Damaging females : representations of women as victims and perpetrators of crime in the mid-nineteenth century
This thesis explores, and seeks an historical interpretation of, representations of women both as victims and perpetrators of crime in the middle decades of the nineteenth century. Moving beyond how criminal offences were defined, perceived and disciplined, the analysis highlights their broader social and cultural contexts and effects. Focusing primarily on media accounts and literary narratives of ~sensational~ and serious cases, it argues that the treatment of crimes of spousal murder, sexual violence and infanticide can be read for cultural and political meanings. At a time when the technological and commercial abilities to satisfy the public appetite for crime stories were rapidly expanding, these narratives became a significant arena in which social preoccupations, anxieties, and conflicts were symbolically explored. As forms of cultural production, therefore, crime narratives constituted, communicated and contested social and political values relating, for example, to issues of class and gender, morality and character, public order and the body. At the heart of this study, therefore, lies the opportunity to explore how the female figures of such accounts, whether murdering women or rape victims, related
Startup, Radojka
Criminals; Victorian society
Damaging females : representations of women as victims and perpetrators of crime in the mid-nineteenth century. This thesis explores, and seeks an historical interpretation of, representations of women both as victims and perpetrators of crime in the middle decades of the nineteenth century. Moving beyond how criminal offences were defined, perceived and disciplined, the analysis highlights their broader social and cultural contexts and effects. Focusing primarily on media accounts and literary narratives of ~sensational~ and serious cases, it argues that the treatment of crimes of spousal murder, sexual violence and infanticide can be read for cultural and political meanings. At a time when the technological and commercial abilities to satisfy the public appetite for crime stories were rapidly expanding, these narratives became a significant arena in which social preoccupations, anxieties, and conflicts were symbolically explored. As forms of cultural production, therefore, crime narratives constituted, communicated and contested social and political values relating, for example, to issues of class and gender, morality and character, public order and the body. At the heart of this study, therefore, lies the opportunity to explore how the female figures of such accounts, whether murdering women or rape victims, related
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