An account of a valuable phenomenon found primarily in art, after Collingwood
This dissertation enquires into the nature and value of a phenomenon which is typically found in art. Chapter 1 attempts to get clear on what phenomenon is being discussed by considering various thinkers' attempts to talk about it, and by considering artworks which exemplify (or are) it. I call the phenomenon 'art' and roughly characterise it as the expression of emotion. Chapter 2 considers the role of artists' intentions to the meaning of the artworks they create, and more broadly the role of utterers' intentions to the meanings of their utterances. This is done because certain positions regarding the role of intentions to utterances' meanings breaks the communicative link between the utterer of an utterance and the apprehender of the utterance, which link is important to the thesis advanced. Chapter 3 argues for a particular analysis of what I call art in Chapter 1, and briefly argues that it is very valuable.
McGuiggan, James Camien
BH39.M48 ; Art--Philosophy ; Collingwood ; R. G. (Robin George) ; 1889-1943. Principles of art. ; Emotions in art
An account of a valuable phenomenon found primarily in art, after Collingwood. This dissertation enquires into the nature and value of a phenomenon which is typically found in art. Chapter 1 attempts to get clear on what phenomenon is being discussed by considering various thinkers' attempts to talk about it, and by considering artworks which exemplify (or are) it. I call the phenomenon 'art' and roughly characterise it as the expression of emotion. Chapter 2 considers the role of artists' intentions to the meaning of the artworks they create, and more broadly the role of utterers' intentions to the meanings of their utterances. This is done because certain positions regarding the role of intentions to utterances' meanings breaks the communicative link between the utterer of an utterance and the apprehender of the utterance, which link is important to the thesis advanced. Chapter 3 argues for a particular analysis of what I call art in Chapter 1, and briefly argues that it is very valuable.
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