Brazilian images of the United States, 1861-1898 : a working version of modernity?
For most of the nineteenth-century, the Brazilian liberal elites found in the âmodernityâ of the European Enlightenment all that they considered best at the time. Britain and France, in particular, provided them with the paradigms of a modern civilisation. This thesis, however, challenges and complements this view by demonstrating that as early as the 1860s the United States began to emerge as a new model of civilisation in the Brazilian debate about modernisation. The general picture portrayed by the historiography of nineteenth-century Brazil is still today inclined to overlook the meaningful place that U.S. society had from as early as the 1860s in the Brazilian imagination regarding the concept of a modern society. This thesis shows how the images of the United States were a pivotal source of political and cultural inspiration for the political and intellectual elites of the second half of the nineteenth century concerned with the modernisation of Brazil. Drawing primarily on parliamentary debates, newspaper articles, diplomatic correspondence, books, student journals and textual and pictorial advertisements in newspapers, this dissertation analyses four different dimensions of the Brazilian representations
Bas, N.
Brazilian images of the United States, 1861-1898 : a working version of modernity?. For most of the nineteenth-century, the Brazilian liberal elites found in the âmodernityâ of the European Enlightenment all that they considered best at the time. Britain and France, in particular, provided them with the paradigms of a modern civilisation. This thesis, however, challenges and complements this view by demonstrating that as early as the 1860s the United States began to emerge as a new model of civilisation in the Brazilian debate about modernisation. The general picture portrayed by the historiography of nineteenth-century Brazil is still today inclined to overlook the meaningful place that U.S. society had from as early as the 1860s in the Brazilian imagination regarding the concept of a modern society. This thesis shows how the images of the United States were a pivotal source of political and cultural inspiration for the political and intellectual elites of the second half of the nineteenth century concerned with the modernisation of Brazil. Drawing primarily on parliamentary debates, newspaper articles, diplomatic correspondence, books, student journals and textual and pictorial advertisements in newspapers, this dissertation analyses four different dimensions of the Brazilian representations
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