The globetrotter : cosmopolitan travel, connecting cultures and conjuring the 'authentic' East, 1870-1920
Globetrotters were a new type of nineteenth-century traveller created from the confluence of three historic developments: British imperial dominance in India, the new presence of Britons in Chinese and Japanese Treaty Ports, and the improvements of steam technology, railway networks and the engineering that produced the Suez Canal. These technological advances accelerated the compression of time and space which meant that not only were the British colonies, with their mercantile and military concerns, nearer to home, but that tourists could 'trot' around the world in a matter of months. This dissertation considers how the gaze of globetrotters developed and changed during the period between 1870, when the opening of the Suez Canal promoted greater accessibility to the 'East', and 1920, when luxury Cruise Liners changed the culture of travel. Globetrotters' collections and accounts brought something new to those at home: the global East, which notwithstanding their 'orientalist' view, distinguished among Asian cultures. Travellers chronicled a 'cultural' journey of distinct cultures and customs that both challenged and confirmed pre-existing tropes of the 'East' by conjuring their own 'authentic' version through
Miller, Amy Pierce
The globetrotter : cosmopolitan travel, connecting cultures and conjuring the 'authentic' East, 1870-1920. Globetrotters were a new type of nineteenth-century traveller created from the confluence of three historic developments: British imperial dominance in India, the new presence of Britons in Chinese and Japanese Treaty Ports, and the improvements of steam technology, railway networks and the engineering that produced the Suez Canal. These technological advances accelerated the compression of time and space which meant that not only were the British colonies, with their mercantile and military concerns, nearer to home, but that tourists could 'trot' around the world in a matter of months. This dissertation considers how the gaze of globetrotters developed and changed during the period between 1870, when the opening of the Suez Canal promoted greater accessibility to the 'East', and 1920, when luxury Cruise Liners changed the culture of travel. Globetrotters' collections and accounts brought something new to those at home: the global East, which notwithstanding their 'orientalist' view, distinguished among Asian cultures. Travellers chronicled a 'cultural' journey of distinct cultures and customs that both challenged and confirmed pre-existing tropes of the 'East' by conjuring their own 'authentic' version through
cosmopolitan travel connect culture conjure authentic east new_type nineteenth_century traveller create confluence historic development british_imperial dominance india new presence britons chinese japanese treaty improvement steam technology railway network engineering produce suez_canal technological_advance accelerate compression time_space mean british colony mercantile military concern home tourist could around_world matter month considers gaze develop change period open suez_canal promote great accessibility east luxury change culture travel collection account bring something new home global east notwithstanding orientalist view distinguish among asian culture chronicle cultural journey distinct culture custom challenge confirm pre_existing trope east conjure authentic version