Kant, Heidegger and spacing
Kant's metaphysics of space periods is explored via his in both the pre-critical and critical relation to Leibniz, the incongruent counterparts argument, and the distinctive arguments of the Transcendental Aesthetic. Sequentially, Heidegger's phenomenology of space from the period of Being and Time is explicated in terms of concepts like deseverance, directionality, region and equipmentality. The two analyses are found to overlap on several key points. These include: the priority of the whole over the parts, openness, and exteriority and thus non-discursivity. The points of overlap we call 'spacing' . Through further analyses, it is discovered that the concepts of spacing are precisely the concepts required by these two philosophers even when they treat of subjects not normally considered essentially spacial. These subjects include the nature of temporal relations, of selfhood and self-constancy, and of the experience and significance of art. The importance of spacing for these subjects is individually discussed, as are possible reasons why the language of space should be required.
Burnham, Hugh Douglas
B Philosophy (General)
Kant, Heidegger and spacing. Kant's metaphysics of space periods is explored via his in both the pre-critical and critical relation to Leibniz, the incongruent counterparts argument, and the distinctive arguments of the Transcendental Aesthetic. Sequentially, Heidegger's phenomenology of space from the period of Being and Time is explicated in terms of concepts like deseverance, directionality, region and equipmentality. The two analyses are found to overlap on several key points. These include: the priority of the whole over the parts, openness, and exteriority and thus non-discursivity. The points of overlap we call 'spacing' . Through further analyses, it is discovered that the concepts of spacing are precisely the concepts required by these two philosophers even when they treat of subjects not normally considered essentially spacial. These subjects include the nature of temporal relations, of selfhood and self-constancy, and of the experience and significance of art. The importance of spacing for these subjects is individually discussed, as are possible reasons why the language of space should be required.
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