An analysis of Late Bronze Age Aegean glyptic motifs of a religious nature
This thesis presents an analysis of glyptic motifs of a religious nature attested on the Greek mainland in the Late Helladic period and on Crete post Late Minoan IB. Its purpose is to ascertain to what extent such an analysis can, firstly, expand our knowledge of religious practices in the Late Bronze Age Aegean, and, secondly, elucidate the nature of the relationship between Minoan Crete and Mycenaean Greece. This was achieved through the classification and analysis of five glyptic themes generally regarded as possessing religious significance in scholarship. These are anthropomorphic figures and non-anthropomorphic elements flanked by animals, seated women, figures with architecture, and animal sacrifice. This contention was critically appraised by developing a widely applicable methodology that demonstrated that many possessed religious aspects. The comparative analysis between the glyptic iconography of the Cretan Neopalatial Period and that of the Greek mainland and post-Late Minoan IB Crete identified specific changes that occurred from \(circa\) 1470 BCE onwards and established which of these originated on the mainland. As a result, I have defined a group of iconographic representations that provide
Palmer, Jennifer Linda
BL Religion ; DF Greece
An analysis of Late Bronze Age Aegean glyptic motifs of a religious nature. This thesis presents an analysis of glyptic motifs of a religious nature attested on the Greek mainland in the Late Helladic period and on Crete post Late Minoan IB. Its purpose is to ascertain to what extent such an analysis can, firstly, expand our knowledge of religious practices in the Late Bronze Age Aegean, and, secondly, elucidate the nature of the relationship between Minoan Crete and Mycenaean Greece. This was achieved through the classification and analysis of five glyptic themes generally regarded as possessing religious significance in scholarship. These are anthropomorphic figures and non-anthropomorphic elements flanked by animals, seated women, figures with architecture, and animal sacrifice. This contention was critically appraised by developing a widely applicable methodology that demonstrated that many possessed religious aspects. The comparative analysis between the glyptic iconography of the Cretan Neopalatial Period and that of the Greek mainland and post-Late Minoan IB Crete identified specific changes that occurred from \(circa\) 1470 BCE onwards and established which of these originated on the mainland. As a result, I have defined a group of iconographic representations that provide
analysis late_bronze age aegean glyptic motif religious nature present_analysis glyptic motif religious nature attest greek_mainland late_helladic period crete post late_minoan purpose ascertain extent analysis firstly expand knowledge religious_practice late_bronze age aegean secondly elucidate_nature relationship minoan_crete mycenaean_greece achieve classification analysis glyptic theme generally_regard possess religious significance scholarship anthropomorphic figure non anthropomorphic element flank animal seat woman figure architecture animal sacrifice contention critically appraise develop widely applicable demonstrate many possessed religious aspect comparative_analysis glyptic iconography cretan period greek_mainland post late minoan crete identify specific change_occur circa bce onwards establish originated mainland define group iconographic representation provide