The soldier in late Victorian society : images and ambiguities
This thesis examines effects of the Boer War (1899- 1902) on images of the soldier. The thesis argues that the trauma of the Boer War for British political culture be may explored in changes in representations of the soldier to be found in the production and reception of contemporary literary genres and popular forms. This change cannot be theorized adequately in terms of an intensification of patriotism, the development of nationalism or a crisis of imperialism. A pervasive approach, often drawing on the work of Edward Said, has as its central premise that imperial polity imposes a discourse of domination on its relacitrant Other. This approach will be found to lack the conceptual nuances needed to address the different forms of representation examined in the thesis. These different forms of representation articulate a range of responses to the repercussion of the war on the relation between the shifting external boundaries of Empire and the internal boundaries of civil society between state and civil society, civilian and military identities, class antagonisms and national projections. Changes in the image of the soldier bear the irresistable politicization as well as the contrary paradoxical burdens of
Attridge, Steve
DA Great Britain
The soldier in late Victorian society : images and ambiguities. This thesis examines effects of the Boer War (1899- 1902) on images of the soldier. The thesis argues that the trauma of the Boer War for British political culture be may explored in changes in representations of the soldier to be found in the production and reception of contemporary literary genres and popular forms. This change cannot be theorized adequately in terms of an intensification of patriotism, the development of nationalism or a crisis of imperialism. A pervasive approach, often drawing on the work of Edward Said, has as its central premise that imperial polity imposes a discourse of domination on its relacitrant Other. This approach will be found to lack the conceptual nuances needed to address the different forms of representation examined in the thesis. These different forms of representation articulate a range of responses to the repercussion of the war on the relation between the shifting external boundaries of Empire and the internal boundaries of civil society between state and civil society, civilian and military identities, class antagonisms and national projections. Changes in the image of the soldier bear the irresistable politicization as well as the contrary paradoxical burdens of
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